Expanding foam and soft forms In response to all the soft objects I have made throughout this project and the 24 observational drawings exploring texture shape and form thinking a out a more resolved piece I wanted up the scale and spend more time considering before hand the types of shapes and textures I wanted to create. Keeping in mind that the object i was now making was a comfort object for myself. Making it for myself i wanted to have some kind of larger base to dd softer materials on top of.
The expanding foam provided This solid soft looking forms however became ver hard to work with when it had dried and hardened, moving and manipulating it was difficult however I think it provided me with the type of soft rounded shapes I had in mind and that are reflective of my last set of drawings. I also like the kind of fleshy tone and surface texture.
Taking these smaller hard forms and covering them with the softer materials I have been using (multi coloured sting ) allowed me have something solid and larger to start from and work round. I later decided to add these to a large pregnancy pillow that belonged to my mum and was gifted to me when i moved away from home. I thought this was a good place to start as the pillow already held a maternal quality to it and has sat on my bed ( a place of comfort) the whole time iv lived here over lockdown and has occupied my space. It carries with it a part of me and my mum and as i’m making this object for myself its almost got to have parts of it that are reflective of me or pieces of myself that i want to put in it. Creating and adding parts to my object became very time consuming and almost intimate as I had to physically wrap myself around to to sew and knit pieces around it. This closeness and hugged shape I think can be seen in how the object sits and slumps over by itself, it also looks likes its missing companion.
Final Crit Feedback
Interesting combination of objects and text- contrasting with the childish bold fonts and use of language. Develop the narrative between the object and yourself and to the audience.
interesting ideas surrounding skill and aesthetics of object making – dose it have to be “well made” to have aesthetic value? The objects and text hold sinister quality especially when looking at the expanding foam, the grotesque runs thought holding themes of inner and outer beauty.
the work can be interpreted as sophisticated when thinking about line, colour and composition and not just skill alone. along side a strong body of work throughout this project and keep up the relationship between soft sculpture and drawing.
Longer text works are quite successful and encourage more writing maybe in combination with images and drawings when making a resolved piece.











































































































